Deviant Moon tarot, artist Patrick Valenza |
Deviant Moon tarot, artist Patrick Valenza |
Deviant Moon tarot, artist Patrick Valenza |
Deviant Moon tarot, artist Patrick Valenza |
Penguin longs to talk to the moon but the moon remains silent. Through the five wishes of the giant starfish and with the help of friends, he is lifted up to the moon and learns that the moon has always answered but was just too far away to be heard. Penguin follows a long tradition of characters who have sought to befriend the moon in this tale told in the folktale style. (Amazon.com)Which sounds charming but I'm not familiar with the book. Something about the motif of penguin/moon intrigues, since it comes up in various ways. . .
James Rich, Sentinels, acrylic on board |
I'm very excited because I've been invited to Boston to meet/collaborate with a well known UFO researcher. (won't say who, he's big time in waking life, though he doesn't live in Boston.) As dreams are wont to do, "Boston" (which I've never been to) is just a town or two away from me here in Eugene, Oregon. At the same time, it's also very far and a huge city and I'm feeling a bit overwhelmed but also excited. I go to where the researcher -- Joe X,lets call him -- works, which is a sort of university type setting, sort of huge apartment complex, sort of grade school. In fact, I see some of my co-workers and a few students from my waking life day job. Seems the school where I work has moved and they're already setting up offices for September.
I have to sort of chase down Joe X, lol, he's so busy and it's hard to catch up with him. People are stopping him every few moments to talk with him, he's very popular and everyone wants to have some time with him. He reminds me of one my waking life professors and in the dream, the two people kind of morph back and forth. Joe X sees me and waves me over to catch up. As we walk (rapidly, lots of people, lots of hubbub) to a conference room he tells me "Lots of researchers have plenty of stories to tell about the witnesses they've worked with, the data they've collected, but I want to hear from the researchers themselves about their own experiences. There's not enough of that going on. So Regan, I want to hear about your whole thing: the orb, missing time, the aliens..."
I tell him that's a good point and I'm interested in that as well, but as for my own story, I've told it plenty of times, no one wants to hear it again. I've put it out there already. Joe X tells me that not everyone's heard it, there's always a new audience and venue, and he bets he can get to deeper levels about my experiences.
We go into the conference room -- comfortable but funky, old, like an old university setting would be -- still lots of people just coming and going all around. Joe X starts asking me my UFO experiences, and then, the aliens. And I start to get very frustrated as well as a bit panicked. I don't like this and I'm frustrated because I can't remember seeing any damn aliens. I've sensed them, had communications with them, felt their presence (verified by others) but not seen them. Why, why, I ask Joe X, can so many witnesses remember these things but I can't? He is very kind and supportive and steady, just keeps at it. Then abruptly, I "see" in my memory, little bits of what "they" look like. Just an image of a hand, or a foot, or a glimpse of some part of them. I'm surprised because, for one thing, they're tall, not the short grays that's typical. They're somewhat gray like in appearance, meaning those spindly buggers, but tall, six feet or so. They're a sort of tan, dark beige or sand color, not white or gray. I still can't see all of them, completely, but it's the closet I've come to actually seeing aliens in my dreams.
I say to Joe X that in my other dreams, I can never remember what they look like. And even now, I tell him, in this dream they're still being elusive. "Even in my dreams, I can't remember!" I tell him in exasperation.
Later, walking around this place, I run into one of the teachers I work with. She asks me about my summer and if I did anything fun, I tell her I went to Boston. She says, well, that's huge, tell me more! I say, well, it wasn't really anything, it was just a day and a night, then I was gone. As I walk away, I realize that I just told a co-worker I had been to Boston, but I didn't go to Boston, I just dreamed that I did. I just told her I thought my dream was reality. Now I have to think of something to tell her if she asks about it again. I'm very worried about how it looks, that I think a dream was reality. Then I wake up, and for a few moments, still have that thought, worried about telling her I didn't really go to Boston, just dreamed it. Until I realize, that was a dream too -- I only dreamed that it was reality.
Untitled Novel by James (Jim) Rich, copyright 2010.
[The following scene takes place on an ocean liner. Martina is on the deck of the ship with Dr. Bremoli; it is her voice that’s speaking:]
I noticed that there appeared to be a light, just off the bow deep beneath the surface . “Another way for what?”
“Another way for you. Your way is the most difficult.”
For the first time, he seemed old and scary. The light was growing bigger and brighter. Something was rising out of the depths; something huge. “What's that?”
“I haven’t much time. You must listen very carefully: you won’t always remember this.”
The light resolved into a bright central light surrounded by a ring of smaller multicolored lights that rotated around the perimeter of an immense, circular, metallic object. Dr. Bremoli put his lips to my ear speaking softly in a lilting language that I almost understood. It was a song, or a poem, or a lullaby to calm a distressed child. It sank deep into my unconscious tickling the hairs of memory, rustling the leaves of my senses. The craft (at this point I could think of it as nothing else) emerged from the sea like nothing I’d ever seen its passage seemingly displacing no water creating no wave, leaving the sea undisturbed, as it hovered just above me a dozen yards off the bow.
It was dry as a bone. Not a drop of water clung to it; strangely it reminded me of Jillian in the shower. It was incompressible, defying all reason. It was immense - at lease a mile in diameter - and there it hung, motionless, suspended, silent, but for a faint hum so low that I felt it in my gut rather than heard it. Unlike the top, there were no lights on the vast, featureless underbelly of a dark matte finish metal that was practically invisible, blending in with both sky and water. It seemed impervious to the laws of nature, like Magritte's Castle of the Pyrenees.
“What did you say?” I asked, glancing over at the doctor, but he was gone. I spun around; he was no where to be seen among the still, almost motionless passengers. I looked back at the craft, just in time to see it depart, which it did in a fashion I never experienced, moving off in a direction perpendicular to everywhere, shrinking away into nothingness. I turned back around; once again the passengers were promenading around the deck, enjoying the now cool evening air, oblivious to the strange event that had transpired between moments.
I found the orb/sphere imagery interesting, as well as the description of time standing still, the unwareness of the ship's passengers of the USO/UFO, and the scientist character hidden away in the depths of the ship.
[A scene or two later, Martina goes down into the ship to meet with the very wealthy genius -scientist, Rainier Brancusi, in his labatory:]
I set off on my journey, taking the elevator to the lowest deck, where I switched to a service elevator which took me deep into the bowels of the ship. To the rear was the engine room. The air was hot, thick with diesel fuel, throbbing with machinery, but I made my way forward through a maze of narrow passageways to a hatch, beneath which a rusted ladder disappeared into uncertain darkness, and from which a nauseating stench issued like the breath of some infernal beast. “Really?!” I thought attempting to deal with my growing sense of claustrophobia, “was all this necessary? “ I considered turning back; after all, why was I going in the first place?
“Because he knows something,” said Medusa. [Medusa is an MKULTRA created personality that resides within Martina] and we need to find out what.”
I started down the ladder into the unwholesome darkness, like Orpheus descending into the underworld. I preceded rung by rung, my footsteps preternaturally loud, reverberating in the cavernous space accompanied by the creaking of stressed metal and the listless lapping of the liquid below.
The dim interior was lit primarily from a number of small unknown sources above, and an eerie bioluminescence billowing in the water below. As my eyes adjusted, I could make out a catwalk leading from the platform where the ladder ended, across the looming, phosphorescent abyss to a geodesic sphere suspended from cables in the center of the bilge. A figure was waiting for me on the platform.
The Regan Lees, Frank Warrens, Don Ledgers, Moulton Howes, Steven Greers, Chris Rutkowskis, et al. are the UFO proletariat; they don’t count or matter. ~ UFO Provocateur(s)